"As for Murray, he and Plaza shared a “deep connection,” and even tore
down the divider between their adjoining trailers. “Whenever I went to
my trailer, he would be sitting there making a gin and tonic and looking
at me. I was, like, ‘Honey, I’m home.’” Her boyfriend, screenwriter
Jeff Baena, was aware and approved of the relationship. “We didn’t
consummate it or anything,” she says, “at least not physically.”
Don't Roll Your Eyes At Aubrey Plaza, NY Mag
Wednesday, May 23, 2012
Thursday, May 10, 2012
Almost Sensical Revenge Outros I Made Up.
1.)"Guilt. Like the waves breaking against the rocks, guilt will beat you, over and over again, until you succumb and slink down into the blackness at the bottom. But what happens when there's a giant shark down there?"
2.)"Betrayal. They say betrayal is the last emotion the sun feels as the encroaching night pushes it off the edge of the horizon. But those who are betrayed don't stay out of the picture for long. Soon, very soon, they are ready to burn anew. And the heat they give off? Well, it can be chilling. It's parka season in the Hamptons."
3.) "Longing. It's in the way the fish swim to the hook, even though a dark fate awaits them there. Or the way a boat tries to take itself further and further out to sea. A wise man once said that longing is the opposite of having. So what is longing for the people who have everything?"
Friday, April 27, 2012
Friday, June 10, 2011
From the AV Club's 4 Part Interview with Dan Harmon:
For the large part of this episode, I was in this room alone with Megan [Ganz]. I remember that experience very well because I was at my emotional wits’ end. I had been told numerous times before that, as early as episode seven, that I was at my wits’ end. People kept telling me to stop. They would say, “You’re at the end of your rope.” And I’d say, “Why are you saying that? That seems like a weird thing to wish on someone. I’m really happy. I love my show.” And they’d say, “No, no, you are exhausted, you need to cool out.” And I’d go home from those meetings thinking, “I think that they just wish that I wasn’t me.”
And it’s funny, because on that episode, I found out what the actual end of the rope feels like, because there is definitely no point in both seasons where I’ve been so terrified of my own failure. I’ve never been able to taste it like that. It was a combination of being that far behind schedule—there was no breaking the story, having a draft, table-reading, getting notes—and the episode obviously wouldn’t have existed if that had had to happen, because that process was designed to stop weird things from happening. And for good reason. There was too much risk and not enough reward. There is money being made and a business being transacted on every other network, and here we are on this little island of “Who gives a fuck?” But at some point, it doesn’t even matter. “Stop overthinking it; stop being weird. What’s the worst thing that could happen to your numbers if you go home and sleep a little bit?”
Sometimes you focus so much on getting away with stuff because you think, “Oh, if I could just get away with it, then everything will be great.” But then you get away with something accidentally, and you realize, “Wait, I get away with everything. I’m at the tippy-top of a $2 million investment into a half-hour of television about what? What is even going on in this story?” And it surprises people to hear me describe it that way, because mostly it was just a cute episode. It wasn’t perceived by anyone—and I refuse to read any reviews of this episode—but it seemed from the Twitter feed that really all of my anxiety was… the disparity was really odd.
The humility in this, especially in this part: Sometimes you focus so much on getting away with stuff because you think, “Oh, if I could just get away with it, then everything will be great.” But then you get away with something accidentally, and you realize, “Wait, I get away with everything. I’m at the tippy-top of a $2 million investment into a half-hour of television about what? makes me want to print it out and send it to Matt Weiner.
For the large part of this episode, I was in this room alone with Megan [Ganz]. I remember that experience very well because I was at my emotional wits’ end. I had been told numerous times before that, as early as episode seven, that I was at my wits’ end. People kept telling me to stop. They would say, “You’re at the end of your rope.” And I’d say, “Why are you saying that? That seems like a weird thing to wish on someone. I’m really happy. I love my show.” And they’d say, “No, no, you are exhausted, you need to cool out.” And I’d go home from those meetings thinking, “I think that they just wish that I wasn’t me.”
And it’s funny, because on that episode, I found out what the actual end of the rope feels like, because there is definitely no point in both seasons where I’ve been so terrified of my own failure. I’ve never been able to taste it like that. It was a combination of being that far behind schedule—there was no breaking the story, having a draft, table-reading, getting notes—and the episode obviously wouldn’t have existed if that had had to happen, because that process was designed to stop weird things from happening. And for good reason. There was too much risk and not enough reward. There is money being made and a business being transacted on every other network, and here we are on this little island of “Who gives a fuck?” But at some point, it doesn’t even matter. “Stop overthinking it; stop being weird. What’s the worst thing that could happen to your numbers if you go home and sleep a little bit?”
Sometimes you focus so much on getting away with stuff because you think, “Oh, if I could just get away with it, then everything will be great.” But then you get away with something accidentally, and you realize, “Wait, I get away with everything. I’m at the tippy-top of a $2 million investment into a half-hour of television about what? What is even going on in this story?” And it surprises people to hear me describe it that way, because mostly it was just a cute episode. It wasn’t perceived by anyone—and I refuse to read any reviews of this episode—but it seemed from the Twitter feed that really all of my anxiety was… the disparity was really odd.
The humility in this, especially in this part: Sometimes you focus so much on getting away with stuff because you think, “Oh, if I could just get away with it, then everything will be great.” But then you get away with something accidentally, and you realize, “Wait, I get away with everything. I’m at the tippy-top of a $2 million investment into a half-hour of television about what? makes me want to print it out and send it to Matt Weiner.
Thursday, March 31, 2011
The Best One Line Emails My Dad Has Sent Me
“This Saturday your LSAT score expires.”
“The bedroom tv broke now i can sleep. love dad”
“Mail me your tax returns today love dad to all ”
“Don’t get too excited how much are they offering u? love dad”
“Nothing is going on. Please call tonight. Love dad”
“The bedroom tv broke now i can sleep. love dad”
“Mail me your tax returns today love dad to all ”
“Don’t get too excited how much are they offering u? love dad”
“Nothing is going on. Please call tonight. Love dad”
Wednesday, February 9, 2011
Wednesday, February 2, 2011
Headlines for Unusable Getty Images Round 2
"Playgrounds Help Caregivers Broach Nursing Home Options With Aging Parents"
"Study Suggests Gluten Intolerance Higher In Winnebago Drivers."
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